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Farida Haque
5 min readNov 3, 2019

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In Celebration of Fall

~ moments of detached languor ~

‘Autumn at my Door’ photo by farida haque 2019

Though highway noises encroach as winds change direction, quiet oak and maple leaves fall like moments of detached languor. Wading through ramparts of ochre and gold — it is late autumn after all, but unseasonably cold — I wander with a tractable pace in the woods: stop at a bend in the brook where horsetails grow, rest on a rotting log: watch and absorb as a piece of dry bread soaks up broth, make artless sketches in a pocket book — the strokes might as well be words — to be integrated into a poem, a reflection, later when everything sleeps. The idea that painting a picture is akin to composing a poem fills me with delight. Just as Frida Kahlo might’ve sniffed out nuances of pigments with that grandest of spirits I, a humble pilgrim, attempt with words.

A massive puddle by the winding leaf-strewn trail is barely frozen over: one would never know if its surface did not resemble a coat of fragile, still, frosty feathers. How can dainty ripples freeze mid-motion? Water molecules at play, bouncing, ramming each other, dashing about governed by immutable dictates etched in stone… Then an inevitable cold descends bringing a soporific message and there is no fighting it, a choreography of diminishing energy enters limbo, buoyed by air bubbles…The wafer thin sheet is curiously covered with domes where they attempted a futile escape. In a small opening I…

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Farida Haque
Farida Haque

Written by Farida Haque

Multimedia artist, writer, poet. “I could not have painted myself happy without painting myself sad first…” faridahaque@gmail.com

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